Journal of the stylistic of Persian poem and prose
volume Number 17، number In Volume 4، July 2024 ، issue Number 98

The course of evolution in Forough's poetry from image to symbol and the adaptation of interaction theory to her symbols

Sosan Vahid , Mohammad Ghaderi Moghaddam (Author in Charge), Rajab Fakhraeian

Abstract

BACKGROUND AND OBJECTIVES: Background and purpose: A person has the potential to convey a message in different and appropriate ways and can use symbols to intelligently interact with any type of audience. When the poet is not able to speak clearly for any reason, in an upward channel, his thoughts fly from description to simile, then to various metaphors, and finally to symbolization in order to build a way to communicate with the audience and convey his message.

The current research aims to study the poetic style and themes of Forough Farrokhzad; to achieve the evolutionary process of his poetry and the degree of use of all kinds of similes, metaphors and symbols in different periods of his life and using the theory of symbolic interaction to show that contemporary and external changes in the poet"s desire for What has been the effect of using the capacity of symbols.

METHODOLOGY: This research has investigated the evolution of Forough"s poetic style by descriptive-analytical method and based on documents and library sources.

FINDINGS: Based on the findings of this research, it can be said that in his first three poetry collections, Forough was unaware of the function of symbols and had no desire to create symbols. But in his last two books, he used symbols in an amazing way and started inventing new symbols. In the first three books, Forough has used more simple similes and descriptions than in the last two books. Also, his first three books have limited use of metaphor, and over time in the last two collections, this industry has been used abundantly. Forough"s language becomes symbolic in the last two books. In general, his poems in the last two collections have progressed towards evolution and he has used more and more complex literary tools than the first books.

The comparison of Forough"s symbols with Bloomer"s three principles shows that in acting based on nobles, he used more natural nobles and less abstract nobles in his poems. In his social actions, the poet wanted to move towards freedom and liberation as well as suing for the oppressed. He has interpreted the situation of the society with symbols, that is, with the symbolic language of his poetry, he has tried to react against the inactive society, and the language of his poetry has depicted the worthlessness of life in the eyes of the poet and the problems of modern society.

CONCLUSION: By analyzing the collection of Forough"s works, it became clear that he has consciously expanded the process of using symbols in his works to the point where he himself has become a special symbol. With his fearless behavior in the period when modernity and majesty have been in conflict; Through symbolism, he tries to push the field of direct speech to impossible limits.

I am grateful for the guidance of my respected teacher, Dr. Mohammad Qadri Moghadam.

Keyword
Symbolism , Forough Farrokhzad , symbolic interaction. Imaginatio

• Azar Aramaki, Taghi, (1376) Sociologist's Theories, Tehran, Soroush, first edition.
• Jalali, Behrouz, (1375) living eternally in the peak of staying "Dialogue with Forough (H)", second edition, Tehran, Marvarid.
• Chadwick, Charles, (1378) Symbolism, translated by Mehdi Sahabi, second edition, Tehran, Center Publishing
• Hasanpour Alashti, Hossein, (1387) stylistic elements in the music of Forough Farrokhzad's poetry, Persian language and literature journal of Sistan Baluchistan University, 6th year.
• Durrani, Kamal, (2018), review and evaluation of Jung's symbolism in the book Man and his Symbols, Tehran University Psychology, No. 60
• Delasho, M. Sofer, (1364) Zaban Ramzi (Fable, translated by Jalal Sattari), Tehran, Tobin
• Mahdavi, Mohammad Sadegh, and Zahra Esmi Joshghani (2012) article entitled "Sociological view of social factors affecting the citizenship ethics of Kashan youth", third year, number eight, Journal of Sociological Studies, pp. 1-30
• Mousavi, Zahra, and Mohsen Zulfiqari and Zahra Bashiri (2017) article titled "Rhetorical Analysis of Multiple Meaning Elements in Forough Farrokhzad's Poetry", Journal of Literary Text Studies, No. 78, pp. 125-148.
• Reihani, Mohammad (2015) Forough Ayehaye Zemiy, Mashhad, Song of Qalam
• Salimi, Leila, (2015) An examination of the cognitive style of the linguistic level of Forough Farrokhzad's poems, Master's thesis, Mohaghegh Ardabili University, Faculty of Literature and Human Sciences
• Shafi'i Kodkani, Mohammad Reza, (1378) The second millennium of mountain deer, second edition, Tehran, Sokhon publishing house
• Shafi'i Kodkani, Mohammad Reza, (1370) Poetry music, 7th edition, Tehran, Agha
• Shamisa, Siros, (1372) Generalities of stylistics, first edition, Tehran, Ferdous
• Shamisa, Siros, (1390) Bayan, 4th edition, Tehran, Mitra
• Shavalieh Zhan, and Alan Gar Bran (1378) Culture of Symbols, translated by Soudabe Fazali, Tehran, Jihun
• Tahbaz, Syros (collector) (1376) A lonely woman (about the life and poetry of Forough Farrokhzad) first edition, Zarbanab, Tehran
• Fatouhi, Roud Moaji, Mahmoud, (2008) "Balaghat Image", Tehran, Sokhon Publishing House
• Farough Farrokhzad, (2017) the collection of poems "Farough Farrokhzar" Tehran, Bija
• Cooper, J.C., (2012) illustrated culture of traditional symbols, translated by Maleeha Karbasian, Tehran, Farshad
• Giddens, Anthony, (1378), Sociology, translated by Manouchehr Sabouri, Tehran, New York, 5th edition
• Majd, Omid, (2017) Methods of persuading the audience in Golestan Saadi, two chapters of Flersi Language and Literature
• Mehrabi, Hossein (1402) Critical analysis of parables in Farrokhi and Forough's poems with the approach of social impact, Quarterly Journal of Allegorical Research in Persian Literature, Bushehr
• Jung, Carl Gustav (1377) The Man of His Symbols, with the collaborations of (Venez von Florence and others) translated by Mahmoud Soltanieh, Tehran, Jai